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Yesterday on Grub Street, Josh Ozersky called Bon Appétit magazine “the most boring” of the food rags, “an ad-packed Nembutal calling to mind the ‘women’s pages’ where newspapers used to publish their party recipes.” It was his ultimate conclusion, though, that really caught my attention: “Once a magazine is a repository for recipes, it stops…

Comfort of comforts–the white fluorescent lights, the angry senior citizens shoving in line–is there a taste more sweet than the taste of a Bagelworks bagel, shmeared with lox spread and whitefish salad, topped with sliced tomato and onion and washed down with a glass of fresh squeezed orange juice? Welcome to Bagelworks in Boca Raton,…
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The dinner was set for Monday, October 22nd, and the e-mail came on Thursday, October 18th. It said: “We’re going to check out ___… at 8:30 p.m., reservation for four under surname ___.” (E-mail’s been censored for obvious reasons.) Then, on the 21st, another e-mail came with the subject: “Monday night location and slight time…
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In the introduction to John Lahr’s 1996 book “Light Fantastic: Adventures in Theatre” he writes, “Criticism, of course, is a kind of performance, but with this difference: the artist puts his life on the line, the critic only his words. This is not to minimize the significance of the activity, but to place criticism…

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They say charity begins at home. They also say that “no good deed goes unpunished.” But I have a new aphorism that I hope some day catches on: “Donating your clothes to the Salvation Army leads to goat curry.” After a week of cleaning out the closet, making room for Craig, we had four giant…
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I received a touching e-mail this weekend from a reader who finds herself in the same situation I was in three and a half years ago: namely, she’s a third year law student, she hates the law, and she wants to be a writer. She’s just started a food blog and wants to know how…

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The key moment in “Ratatouille” is not the creation of the title dish, a layered circle of sliced zucchini, eggplant, and tomato perfectly rendered by Pixar’s animators and lovingly sauced by Remy, the film’s protagonist. It’s not the climactic scene of judgment by the film’s primary antagonist, the food critic Anton Ego, voiced by a…